The impact of
the Beatles -- not only on rock & roll but on all of Western culture
-- is simply incalculable. As musicians they proved that rock & roll
could embrace a limitless variety of harmonies, structures, and sounds;
virtually every rock experiment has some precedent on Beatles records.
As a unit they were a musically synergistic combination: Paul
McCartney’s melodic bass lines, Ringo Starr’s slaphappy no-rolls
drumming, George Harrison’s rockabilly-style guitar leads, John
Lennon’s assertive rhythm guitar -- and their four fervent voices. One
of the first rock groups to write most of its material, they inaugurated
the era of self-contained bands and forever centralized pop. And as
personalities, they defined and incarnated Sixties style: smart,
idealistic, playful, irreverent, eclectic. Their music, from the
not-so-simple love songs they started with to their later
perfectionistic studio extravaganzas, set new standards for both
commercial and artistic success in pop. Although many of their sales and
attendance records have since been surpassed, no group has so radically
transformed the sound and meaning of rock & roll.
Lennon was performing with his amateur skiffle group the Quarrymen at
a church picnic on July 6, 1957, in the Liverpool suburb of Woolton when
he met McCartney, whom he later invited to join his group; soon they
were writing songs together, such as "The One After 909." By
the year’s end McCartney had convinced Lennon to let Harrison join
their group, the name of which was changed to Johnny and the Moondogs in
1958. In 1960 an art-school friend of Lennon’s, Stu Sutcliffe, became
their bassist. Sutcliffe couldn’t play a note but had recently sold
one of his paintings for a considerable sum, which the group, now
rechristened the Silver Beetles (from which "Silver" was
dropped a few months later, and "Beetles" amended to
"Beatles"), used to upgrade its equipment. Tommy Moore was
their drummer until Pete Best replaced him in August 1960.
Once Best had joined, the band made its first of four trips to
Hamburg, Germany. In December Harrison was deported back to England for
being underage and lacking a work permit, but by then their 30-set weeks
on the stages of Hamburg beerhouses had honed and strengthened their
repertoire (mostly Chuck Berry, Little Richard, Carl Perkins, and Buddy
Holly covers), and on February 21, 1961, they debuted at the Cavern club
on Mathew Street in Liverpool, beginning a string of nearly 300
performances there over the next couple of years.
In April 1961 they again went to Hamburg, where Sutcliffe (the first
of the Beatles to wear his hair in the long, shaggy style that came to
be known as the Beatle haircut) left the group to become a painter,
while McCartney switched from rhythm guitar to bass. The Beatles
returned to Liverpool as a quartet in July. Sutcliffe died from a brain
hemorrhage in Hamburg less than a year later.
The Beatles had been playing regularly to packed houses at the Cavern
when they were spotted on November 9 by Brian Epstein (b. Sep. 19, 1934,
Liverpool). After being discharged from the British Army on medical
grounds, Epstein had attended the Royal Academy of Dramatic Art in
London for a year before returning to Liverpool to manage his father’s
record store.
The request he received for a German import single entitled "My
Bonnie" (which the Beatles had recorded a few months earlier in
Hamburg, backing singer Tony Sheridan and billed as the Beat Boys)
convinced him to check out the group. Epstein was surprised to discover
not only that the Beatles weren’t German but that they were one of the
most popular local bands in Liverpool. Within two months he became their
manager. Epstein cleaned up their act, eventually replacing black
leather jackets, tight jeans, and pompadours with collarless gray Pierre
Cardin suits and mildly androgynous haircuts.
Epstein tried landing the Beatles a record contract, but nearly every
label in Europe rejected the group. In May 1962, however, producer
George Martin (b. Jan. 3, 1926, North London, Eng.) grew interested in
the quartet and signed it to EMI’s Parlophone subsidiary. Pete Best,
then considered the group’s undisputed sex symbol, was asked to leave
the group on August 16, 1962, and Ringo Starr, drummer with a popular
Liverpool group, Rory Storme and the Hurricanes, was added, just in time
for the group’s first recording session. On September 11 the Beatles
cut two originals, "Love Me Do" b/w "P.S. I Love
You," which became their first U.K. Top Twenty hit in October. In
early 1963 "Please Please Me" went to #2, and they recorded an
album of the same name in one 10-hour session on February 11,1963. With
the success of their third English single, "From Me to You"
(#1), the British record industry coined the term "Merseybeat"
for groups like Gerry and the Pacemakers, Billy J. Kramer and the
Dakotas, and the Searchers, who also hailed from Liverpool on the Mersey
River. By midyear the Beatles were given billing over Roy Orbison on a
national tour, and the hysterical outbreaks of "Beatlemania"
had begun. Following their first tour of Europe in October, they moved
to London with Epstein. Constantly mobbed by screaming fans, the Beatles
required police protection almost any time they were seen in public.
Late in the year "She Loves You" became the biggest-selling
single in British history. In November 1963 the group performed before
the Queen Mother at the Royal Command Variety Performance.
EMI’s American label, Capitol, had not released the group’s 1963
records (which Martin licensed to independents like Vee-Jay and Swan
with little success) but was finally persuaded to release its fourth
single, "I Want to Hold Your Hand" and Meet the Beatles
in January 1964 and to invest $50,000 in promotion for the then unknown
British act. The album and the single became the Beatles first U.S.
chart-toppers. On February 7 screaming mobs met them at New York’s
Kennedy Airport, and more than 70 million people watched each of their
appearances on The Ed Sullivan Show on February 9 and 16. In
April 1964 "Can’t Buy Me Love" became the first record to
top American and British charts simultaneously, and that same month the
Beatles held the top five positions on Billboard’s singles chart (
"Can’t Buy Me Love," "Twist and Shout," "She
Loves You," "I Want to Hold Your Hand," "Please
Please Me").
Their first movie, A Hard Day’s Night (directed by Richard
Lester), opened in America in August; it grossed $1.3 million in its
first week. The band was aggressively merchandised -- Beatle wigs,
Beatle clothes, Beatle dolls, junk food, lunch pails, a cartoon series
-- from which, because of Epstein’s ineptitude, it made surprisingly
little. The Beatles also opened the American market to such British
Invasion groups as the Dave Clark Five, the Rolling Stones, and the
Kinks.
By 1965 Lennon and McCartney rarely wrote songs together, although by
contractual and personal agreement songs by either of them were credited
to both. The Beatles toured Europe, North America, the Far East, and
Australia that year. Their second movie, Help! (again directed by
Lester), was filmed in England, Austria, and the Bahamas in the spring
and opened in the U.S. in August. On August 15 they performed to 55, 600
fans at New York’s Shea Stadium, setting a record for largest concert
audience. McCartney’s "Yesterday" (#1, 1965) would become
one of the most often covered songs ever written. In June the Queen had
announced that the Beatles would be awarded the MBE (Member of the Order
of the British Empire). The announcement sparked some controversy --
some MBE holders returned their medals -- but on October 26, 1965, the
ceremony took place at Buckingham Palace. (Lennon returned his medal in
1969.)
With 1965’s Rubber Soul, the Beatles’ ambitions began to
extend beyond love songs and pop formulas. Their success led adults to
consider them, along with Bob Dylan, spokesmen for youth culture; and
their lyrics grew more poetic and somewhat more political. In summer
1966 controversy erupted when a remark Lennon had made to a British
newspaper reporter months before was widely reported in the U.S. Lennon
said, "Christianity will go. It will vanish and shrink. I needn’t
argue about that, I’m right and will be proved right. We’re more
popular than Jesus Christ right now." The remark incited
denunciations and Beatles record bonfires. Lennon later apologized.
The Beatles gave up touring after an August 29, 1966, concert at San
Francisco’s Candlestick Park and made the rest of their music in the
studio, where they had begun to experiment with exotic instrumentation
("Norwegian Wood," 1965, had featured sitar) and tape
abstractions such as the reversed vocal tracks on "Rain."
"Strawberry Fields Forever," part of a double-sided single
released in February 1967 to fill the unusually long gap between albums,
featured an astonishing display of electronically altered sounds and
hinted at what was to come. With "Taxman" and "Love You
To" on Revolver, Harrison began to emerge as a songwriter.
It took four months and $75,000 to record Sgt. Pepper’s Lonely
Hearts Club Band using a then-state-of-the-art four-track tape
recorder and building each cut layer by layer. Released in June 1967, it
was hailed as serious art for its "concept" and its range of
styles and sounds, a lexicon of pop and electronic noises; such songs as
"Lucy in the Sky with Diamonds" and "A Day in the
Life" were carefully examined for hidden meanings. The album spent
15 weeks at #1 (longer than any of their others) and has sold over eight
million copies. On June 25, 1967, the Beatles recorded their new single,
"All You Need Is Love," before an international television
audience of 400 million, as part of a broadcast called Our World.
On August 27, 1967 -- while the four were in Wales beginning their
six-month involvement with transcendental meditation and the Maharishi
Mahesh Yogi (which took them to India for two months in early 1968) --
Epstein died alone in his London flat from an overdose of sleeping
pills, later ruled accidental. Shaken by Epstein’s death, the Beatles
retrenched under McCartney’s leadership in the fall and filmed Magical
Mystery Tour, which was aired by BBC-TV on December 26, 1967, and
later released in the U.S. as a feature film. Although the telefilm was
panned by British critics, fans, and Queen Elizabeth herself, the
soundtrack album contained their most cryptic work yet in "I Am the
Walrus," a Lennon composition.
As the Beatles’ late-1967 single "Hello Goodbye" went to
#1 in both the U.S. and Britain, the group launched the Apple clothes
boutique in London. McCartney called the retail effort "Western
communism," but the boutique closed in July 1968. Like their next
effort, Apple Corps Ltd. (formed in January 1968 and including Apple
Records, which signed James Taylor, Mary Hopkin, and Badfinger), it was
plagued by mismanagement. In July the group faced its last hysterical
crowds at the premiere of Yellow Submarine, an animated film by German
poster artist Heinz Edelmann featuring four new Beatles songs.
In August they released McCartney’s "Hey Jude" (#1),
backed by Lennon’s "Revolution" (#12), which sold over six
million copies before the end of 1968 -- their most popular single.
Meanwhile, the group had been working on the double album The Beatles
(frequently called the White Album), which showed their
divergent directions. The rifts were artistic -- Lennon moving toward
brutal confessionals, McCartney leaning toward pop melodies, Harrison
immersed in Eastern spirituality -- and personal, as Lennon drew closer
to his wife-to-be, Yoko Ono. Lennon and Ono’s Two Virgins (with
its full frontal and back nude cover photos) was released the same month
as The Beatles and stirred so much outrage that the LP had to be
sold wrapped in brown paper bags. (The Beatles went to #1, Two
Virgins peaked at #124.)
The Beatles attempted to smooth over their differences in early 1969
at filmed recording sessions. When the project fell apart hundreds of
hours of studio time later, no one could face editing the tapes (a
project that eventually fell to Phil Spector), and "Get Back"
(#1, 1969) was the only immediate release. Released in spring 1970, Let
It Be is essentially a documentary of their breakup, including an
impromptu January 30, 1969, rooftop concert at Apple Corps headquarters,
their last public performance.
By spring 1969 Apple was losing thousands of pounds each week. Over
McCartney’s objections, the other three brought in manager Allen Klein
to straighten things out; one of his first actions was to package
non-album singles as Hey Jude. With money matters temporarily out
of mind, the four joined forces in July and August 1969 to record Abbey
Road, featuring an extended suite as well as more hits, including
Harrison’s much-covered "Something" (#3, 1969). While its
release that fall spurred a "Paul Is Dead" rumor based on
clues supposedly left throughout their work, Abbey Road became
the Beatles’ best-selling album, at nine million copies. Meanwhile,
internal bickering persisted. In September Lennon told the others,
"I’m leaving the group. I’ve had enough. I want a
divorce." But he was persuaded to keep quiet while their business
affairs were untangled. On April 10, 1970, McCartney released his first
solo album and publicly announced the end of the Beatles. At the same
time, Let It Be finally surfaced, becoming the group’s 14th #1
album (a postbreakup compilation would become their 15th in 1973) and
yielding the Beatles’ 18th and 19th chart-topping singles, "Let
It Be" and "The Long and Winding Road."
Throughout the Seventies, as repackages of Beatles music continued to
sell, the four were hounded by bids and pleas for a reunion. Lennon’s
murder by a mentally disturbed fan on December 8, 1980, ended those
speculations.
In 1988 the Beatles were inducted into the Rock and Roll Hall of
Fame. McCartney, citing business conflicts with the two other surviving
members, did not attend. Relations between him and Harrison, in
particular, had been strained for some time. But in January 1994 Goldmine
magazine reported that McCartney, Harrison, and Starr had begun
recording music for a long-rumored Beatles documentary the previous
August, with more secret sessions scheduled. George Martin was said to
be the producer. Later that year Live at the BBC was released,
featuring 56 songs the Beatles performed on British radio between 1962
and 1965. It debuted at #1 in the U.K.; in the U.S., it debuted and
peaked at #3. In March 1995 McCartney confirmed that he, Harrison, and
Starr were recording new songs. When released, they will be the first
new Beatles songs since 1969.
Formed 1959, Liverpool, England
John Lennon (b. John Winston Lennon, Oct. 9, 1940, Liverpool; d. Dec.
8, 1980, New York City, N.Y.), gtr., voc., harmonica, kybds.;
Paul McCartney (b. James Paul McCartney, June 18, 1942, Liverpool),
bass, voc., gtr., kybds.;
George Harrison (b. Feb. 25, 1943, Liverpool), gtr., voc., sitar;
Stu Sutcliffe (b. Stuart Fergusson Victor Sutcliffe, June 23, 1940,
Edinburgh, Scot.; d. Apr. 10, 1962, Hamburg, Ger.), bass;
Pete Best (b. 1941, Eng.), drums.
1962 -- ( - Best; + Ringo Starr [b. Richard Starkey Jr., July 7, 1940,
Liverpool], drums, perc. voc., misc.)
1963 -- Please Please Me (Parlophone, U.K.); With the Beatles;
Introducing The Beatles (Vee-Jay)
1964 -- Meet the Beatles (Capitol); The Beatles’ Second
Album; A Hard Day’s Night (United Artists); Something New
(Capitol); The Beatles’ Story; Beatles ‘65
1965 -- The Early Beatles; Beatles VI; Help!; Rubber Soul
1966 -- Yesterday..., and Today; Revolver
1967 -- Sgt. Pepper’s Lonely Hearts Club Band; Magical Mystery Tour
1968 -- The Beatles (Apple)
1969 -- Yellow Submarine (Capitol); Abbey Road
1970 -- Hey Jude; Let It Be (Apple)
1973 -- The Beatles 1962-1966 (Capitol); The Beatles 1967-1970
1976 -- Rock ‘N’ Roll Music
1977 -- Love Songs; Live at the Hollywood Bowl; Live at the Star Club
in Hamburg, Germany, 1962 (Atlantic)
1980 -- Rarities (Capitol)
1982 -- Reel Music; 20 Greatest Hits
1988 -- Past Masters, vol. 1; Past Masters, vol.2
1994 -- Live at the BBC (EMI)
*Discography reflects original U.S. album releases.
Copyright © 1983, 1995 by Rolling Stone Press